I was twelve when I found my dad’s Nikon F70. That day, searching for film, I fell in love with photography.
I shoot mostly portraits, sometimes still-life if it helps tell the story.
My work circles around intimacy, womanhood, memory, and time. I’ve always been scared of stillness in photography. I think that’s why I see my images as film stills—scenes from a short film playing in my head.
It usually starts with a feeling, a memory, or a late-night conversation. I take those fragments and turn them into narratives.
The people in my images are mostly women—friends, people I love, people I connect with.